Oil on canvas. 36″x48″. June 2013. Concordia University.
Oil on canvas. 12″x48″. June 2013. Concordia University.
Oil on canvas. 36″x36″. July 2013. Concordia University.
Oil on canvas. 48″x48″. July – August 2013. Concordia University.
Oil on canvas. 36″x48″. August 2013. Concordia University.
Screenprint. Concordia University. 2013. Edition of 13 books.
Digital Print. Concordia University. 2013.
Twenty-six explorations of snake patterns, and patterns of snakes. Some real, some from the imagination. One for every letter of the alphabet.
Multi-signature, hard cover, Coptic-bound book. 2012.
Digital print. Concordia University. 2012.
Move over palmistry, tea leaf reading, and astrology charts. I present to you deep internal personal insights via the wallet. A personal object we hold near and dear. Most of us have one. How we keep it and what we keep in it says a lot about it’s owner.
Hard cover, digitally printed accordion book. Concordia University. 2012.
Everything’s connected in there, our body, much like the pages of this book. And we’re connected out there on the internet, with the people we talk to and the languages we speak.
I love cold stale medical textbook drawings. If only I was apt enough to become a doctor. Instead I went to art school.
Photo Digital Intaglio. Concordia University. 2011.
What do you call it again when you work on something, in this case a copper intaglio plate, then exchange it with someone and you work on their image while they work on yours? Ya, that’s what this was…
Screenprint. Concordia University. 2011.
CMYK colour printing.
I know everyone thinks their cat is the BEST cat in the entire universe, but he really is one of a kind.
Intaglio. University of Manitoba. 2009.
Softground print. No etched hand drawn lines. Multiple plate print.
I was dating a smoker of many things who was constantly coughing up a lung in sheer discomfort. I wish him freedom from phlegm and asphyxiation. Light as a feather on a crisp, cool breeze.
Intaglio. University of Manitoba. 2009.
Second project. Learning how to aqua-tint was the assignment objective. I used a “spit biting” technique for the background.
Portfolio-lio-lio 